![]() ![]() I didn't really like "The Recession", it sounds like one long song that changes subjects 18 times. Nas seems to be finishing off lots of albums nowadays. My President- This shit is straight fire, Jeezy kills it, and even though Nas goes back on his Black Republican/Democrat shit. Kanye's verse sounds dumb as fuck though.ġ8. Put On- You've heard it, and it's pretty good. Circulate- This shit is hot!! Love this track already.ġ1. same lyrics, different words, same instrumental different bass.ġ0. ![]() Don't You Know- Same hook, different words. Who Dat- Once again the instrumental is sick. Crazy World- I'm pretty sure this is a single, the beat is crazy, and ironically enough this song is political.Ĩ. I don't know if I agree with that, but this track is real hot.Ĥ. By The Way- Damn, Jeezy said this album was Thug Motivation on steroids. THE RECESSION YOUNG JEEZY ALBUM COVER SERIESAfter making the acclaimed Thug Motivation series (which will be reviewed soon enough), Jeezy decided to steer away and created "The Recession" which hopefully is not a political album.ģ. Jenkins actually released a god-awful first album, and kept improving from there (who said debut albums are always best)? Now he is a household name, if not for his stellar lyrics, definitely for his adlibs. Don't get me wrong, there are some good(at max 50) Southern rhymers, but there are far more gimmicks. which is infested with downright thieves. I just heard "The Inspiration" for the second time and I realized what a huge part Jeezy has had in reinventing the genre of "Southern Rap". I been waiting on this shit for a hot second, and I bet you were too. Album DescriptionFirst, big fucking ups to my boy PeanutbutterToes at. See More Your browser does not support the audio element. Stern support from the slain Bankroll Fresh excepted, the guest appearances are extraneous. Jeezy doesn't say much that deviates from previous ice-veined rhymes, but he attacks just about every track with intense focus and ferocity. The other tracks - seven from D Rich, one or two each from a short roster that includes Mike WiLL Made It - tend to be equally or only slightly less brutal in tone. Over bulky drums and baleful strings, Jeezy's gruff-as-ever voice is often layered, making it easy to picture his competitors looking up at him from the ground, stupefied, receiving a beat down with triple vision. Three cuts produced by old associate Shawty Redd loom particularly large. Little sermonizing is involved, his pulpit evidently converted to a pallet for transporting product as he threatens and gloats. Volume three, released six years after the first sequel, seems to carry the weight of a proper studio recording, not a mixtape, though Jeezy said "It ain't an album, it's a way of life." This way of life is loud at almost any volume, seemingly designed to sound imposing in every setting. As ever, there's nothing seasonal about this snowman - like the rapper proclaimed on previous album Church in These Streets, hustling is year-round, nonstop business - and the first two volumes of Trap or Die were mixtapes served to the streets. Jeezy's approach on his seventh Def Jam album is signaled clearly by its cover and title. THE RECESSION YOUNG JEEZY ALBUM COVER DOWNLOADPurchase and download this album in a wide variety of formats depending on your needs. ![]()
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